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Michelangelo Antonioni
Before starting this blog, I am going to say that I am not going to discuss what I think is good or bad about the film, as this blog is about the auteur relationship between those films and their director.
Michelangelo Antonioni was an Italian modernist film director and best known for his use of long shot and open-ended narrative. Personally, I had never watched any of his films before this assignment due to I normally don’t watch old films unless someone told me to. The films I chose from Antonioni’s works are the three first English-language films he made, Blowup, Zabriskie Point and The Passenger.
Antonioni was already well known for his well directed films like La Notte and L’Avventura before Blowup, and it didn’t take much for American audients to accept him. After watching Blowup the first thing that comes to my mind is A Clockwork Orange by Stanley Kubrick. They have very similar dreamy quality and open-ended narrative, and I think it’s because Kubrick had been influenced by Antonioni’s style. I think that is what a true auteur should be; an auteur should have his unique style and in the same time influence the other with his style. Maybe Kubrick isn’t the best example here, as he is also a well known director with a unique style of his own, but who isn’t being influence by others? Every good directors and artist all learn from the past best and combine those elements in to a unique mix.
The next film I watched is the Zabriskie Point, and to be honest it feel really different than Blowup. The style of storytelling is totally different; however some iconic Antonioni’s camera works were still there. Blowup had a simple clear story with less than three main characters (the photographer, the woman in the photo, and the others.) Zabriskie Point had a complex storyline with many characters that I don’t really care about, and I totally lost the story half way into the movie. The story of Zabriskie Point is hard to fallow and with all those fast music and slow long take it is hard to pay attention. Antonioni once said that the reason he likes to use long take is because he want to force the viewers to watch the details of the shot, however it is hard to do that while all those explosion and crazy music is going on. In the end both of those films had some similar quality of Antonioni’s work, and perhaps Zabriskie Point was just not a good movie to use the same style as the Blowup.
The next film is the Passenger, and this is the one that I feel the “age” of Antonioni. When he made the Passenger he was about 62…63 years old and perhaps his style of directing aged with him as well. The reason why I am saying this is because the passenger is a really slow film. It has really interesting Hitchcock style of mystery element in it, and as well as the Blowup. The film feel really realistic but in the same time extremely dreamy. In the second final shot of the movie you see every main character in the room with Locke, and that’s like only five people. This remind me of the Blowup, as they both share the mystery element, simple story, open-ended narrative very few characters and they both had a long take in the end of the movie.
In conclusion, we can easily see the style relation of those three films and we can also see the influence of time and theme that affect on the films. Zabriskie Point is about the counter culture and perhaps long takes and slow narrative didn’t work well with the subject matter. Blowup is a fresh take with very few spoken words and the mystery theme works well with the style, and as well as the passenger. Antonioni definitely had a iconic direction style which influence the others, and all those three films had his signature on it.
The definition of an auteur is a film maker whose individual style and complete control over all elements of production give a film its personal and unique stamp. Maybe Michelangelo Antonioni didn’t have complete control over all the elements of production as no director can control the acting unless he does the acting himself, and it is hard to have complete control over the story when you have three other writers. However, Antonioni was doing the best he can with the elements that he can control to push the film toward his direction and belief, and I think it is fair to call him an auteur.